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Tuesday 26 March 2024
Thursday 21 March 2024
Thursday 22 February 2024
Redefining The Ages Of British Comic Books...up-date 2024
Let's be honest -I should not be re-posting this again. However, despite giving the link to several people who are very off the mark, they persist. It is important that anyone who is really interested in British comics get the correct information.
And no one has so far given Gerald Swan the credit for introducing the US comic book format to the UK which, in itself, is a very significant and important point and credit. Now you know.
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Why re-post this article since it was first published back in 2000 and several times since then? Well, despite the "serious comics history" pundits being given the link on a number of occasions it appears I am beneath their interest. I know this because they are now stating that the Overstreet Price Guide has published 'new' info.
Here is what someone wrote on Yahoos Platinum Comics group:
"But even that big news in Comic Book History has been overturned, with the discovery of an even earlier comic book, entitled The Glasgow Looking Glass, published in Scotland, in 1825."
Yes, well, Denis Gifford and myself both wrote about that (he WELL before me) back in 1984 and wrote about it in 1985.
Now I do realise that some "sequential historians" look down on us regular comic folk but seriously they are ten years behind the rest of us.
So here is the cranky old article but with new illos.
I thank you.
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Despite attempting to fill in the Lost Era of British comics from the 1940s/1950s since the 1980s it is only recently, with the invaluable help of Dennis Ray, owner of The 3-Ds comic store in Arlington, Texas, that a small chunk of this period has been rediscovered.
Characters not listed even in Denis Gifford references have been found. These have started to appear in the Black Tower Golden Age Classics series. As they are unlikely to be big money earners the cover prices were kept low for those interested in the subject.
Oh, and as I've proven previously, the myth of the Germans "never had comics during the war" is just that.
A myth.
And though some comics continued few survived. Thomson's continue but in much poorer form and British comics as an "industry" are dead.
Above: Dennis Gifford
Above: Comics Historian Alan Clark
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Here is a slightly up-dated version of my article defining the British ages of comics from my British Golden Age Comics web site and a couple years back on CBO.
The late Denis Gifford spent many decades chronicling the history of British comics. It was a never-ending task and at least we still have his books to rely on –these have been so plagiarised by new ‘experts’ that it shows just how valuable any Gifford book is. For this reason,I am relying solely on Denis’s and the “Tel’s From The Crypt” feature from vol.1 no.1 of COMIC BITS [1999].
Of course,there are some who would argue that comic strips go back further than the dates I give. This is debatable and,hopefully,one day the UK will have a symposium on the subject!
Looking Glass was a tabloid sized periodical published by Thomas McLean and could be purchased as either a plain or hand-coloured edition. Some 36 issues were published starting on 1st January, 1830 until December, 1832 -but from issue number 13, that was published on 1st January, 1831, it suddenly got re-titled to McLean's Monthly Sheet of Caricature or The Looking Glass.
But this was not the first Looking Glass! John Watson published The Glasgow Looking Glass on the 11th June, 1825 and it lasted five issues up to August, 1825. From 18th August, 1825 and for twelve issues up to 3rd August, 1826 as Northern Looking Glass. Not to be confused with The Glasgow Looking Glass -no connection.
But this was not the first Looking Glass! John Watson published The Glasgow Looking Glass on the 11th June, 1825 and it lasted five issues up to August, 1825. From 18th August, 1825 and for twelve issues up to 3rd August, 1826 as Northern Looking Glass. Not to be confused with The Glasgow Looking Glass -no connection.
THIS is the comic 'newly discovered' by the Overstreet Price Guide!
According to Denis, the first comic magazine was actually titled…The Comick Magazine! The magazine appeared on 1st April,1796. The publisher was Mr Harrison of 18 Paternoster Row,London who describe the title as “The compleat Library of Mirth, Humour, Wit, Gaiety and Entertainment”.
Most purists would argue that The Comick Magazine was wholly text,however,it did come “enriched with William Hogarth’s Celebrated Humorous,Comical and Moral Prints”. –one per monthly issue! These prints formed the series “Industry and Idleness” and when put together in their “narrative sequence”, argued Gifford,”they could be described as an early form of comic strip”
Above: Dr Syntax on Tour
Thomas Rowlandson provided plates for The Caricature Magazine [1808]. On the 1st May,1809 came The Poetical Magazine and it was in this –Rowlandson the artist once more—that what is arguably the first British ‘comic’ super star was born:Dr Syntax! The serial by William Combe,”The Schoolmaster’s Tour” was Dr Syntax’s first,uh,outing and in 1812 was reprinted in book form [graphic novel?] as “The Tour Of Dr Syntax in Search of The Picturesque”. This featured 31 coloured plates.
Dr Syntax spawned merchandise spin offs,as any comic star does,such as Syntax hats,coats and wigs!!
Figaro 31st March, 1832
Inspired by the French funny paper Figaro,on 10th December,1831,the four page weekly Figaro In Londonappeared. Cover and interior cartoons were by Robert Seymour. This first funny weekly went on for eight years and was to inspire [imitation] spin-offs such as Figaro In Liverpool and Figaro In Sheffield. We can see the future shape of the comic industry appearing here!
Punch In London appeared on 14th January,1832 –this weekly lasted 17 issues and the last featured 17 cartoons!
The longest lived comic magazine,of course,was Punch from 17th July,1841 until its demise in 2002!
It is a fact that Punch,on 1st July,1843,introduced the word “cartoon” into the English language;on that date the magazine announced the publication of “several exquisite designs to be called Punch’s Cartoons”. Two weeks later the first appeared,the artist being John Leech. [for more info on Punch see http://www.punch.co.uk/]
Punch number 1
Leech also drew “The Pleasures Of Housekeeping” [28th April,1849] –described as a slap-stick strip about a suburbanite called Mr Briggs which,ten years later,was published in book form as Pictures Of Life And Quality.
In 1905 Mr Briggs was still being reprinted in six penny paperbacks.
Judy~The London Serio-Comic Journal started on 1st May,1867 and,on 14th August of the same year introduced a character who became one of the greatest comic heroes of the day…….Ally Sloper!
Ally Sloper [so called because,when a debt collector turned up he Sloped off down the Alley!] was a bald headed, bulbous nosed figure with a rather battered hat. ..often described as a Mr Micawber type [as played by W.C.Fields and others over the years]. Ally was constantly trying to make money but more often than not never quite succeeded.
Merchandise abounded, Sloper Pewter mugs, figurines, bottles and much,much more. And you can learn a great deal more on a wonderful web site –
There was an Ally Sloper comic in 1948 and some might think that was it. However, Walter Bell drew the old lad inAlly Sloper, a British comics magazine published by Denis and Alan Class in the 1970s.
Note: since this was first written the Ally Sloper's Comic Bits was shelved and also, in an interview with Alan Class, he told me he was NOT publisher of the 1970s fanzine!
Above the 1948 Ally Sloper comic.
Ally has certainly lived longer than his creator, Charles Henry Ross, could probably ever have imagined!
Into the 20th Century and there was the rise of many illustrated text stories and comic strips with text under each panel.
D.C. Thomson had titles like ADVENTURE and ROVER. Alfred Harmsworth’s, and later his Amalgamated Press’,COMIC CUTS was the first comic though. Issue 1 was published on 17th May,1890 and the final issue was published on 12th September,1953 with issue number 3006!
But the 1930s saw a virtual explosion in comics from small publishers outside London. These included Merry Midget, no.1 dated Saturday,12th September,1931 and published by Provincial Comics Ltd.,Bath –and the other title from this publisher was Sparkler. Also publishing from Bath were Target Publications who produced Rattler and Target.
Above:The Illustrated Chips, 1933
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Now these were traditional humour strips and gags along with text adventure stories. But in 1939 something happened that ended the Diamond Age and saw the beginning of the Golden Age.
On the 8th July,1939,the Amalgamated Press published, in Triumph, the strip “Derickson Dene”, drawn by that "mysterious" comic great 'Nat Brand' (Len Fullerton). Gifford described the strip as “a four page serial strip that established him [Dene] as the first British super hero in the American comic book style”.
And then,on the 5th August,1939, in Triumph no.772,compilations of the Siegel and Shuster Superman newspaper strips started. On the front cover,flying through space and drawn by John “Jock” McCail was The Man of Steel.
These two very significant strips, in my opinion, ushered in the British Golden Age.
Above: two 1943 comics still surviving in my collection.
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There was only one little problem. Across the English [or French] Channel,a little twerp with a silly moustache started a “bit of a tiff” we know as World War Two. Paper restrictions and the banning of imported goods such as comic books,meant that British publishers had to use whatever they could. Comics were printed on brown wrapping paper,silver paper[!] and other inferior stocks. Many comics simply vanished.
No new ongoing titles could be published so smaller publishers began to issue one-off eight pagers.
The best known publishers remembered today are the Amalgamated Press and D.C.Thomson,at the latter not just Lord Snooty and his Gang but also Eggo and Desperate Dan took on the Germans.
+pagecover.jpg)
But Gerald G. Swan deserves a mention for books such as War Comics, Topical Funnies Special Autumn Number, Thrill Comics, and Slick Fun. . Swan gave us Krakos the Egyptian and Robert Lovett:Back From The Dead.
A. Soloway produced All Fun and after the war Comic Capers [1942] and Halcon Comics [1948]. R & L Locker published Reel Comics and Cyclone Illustrated Comic. Newton Wickham published Four Aces and Martin & Reid produced Grand Adventure Comics.
Gifford himself, later to work on Marvelman -and there are VERY strong rumours Marvel comics will be reprinting the 1980s series*, produced Mr Muscle. Cartoon Art Productions of Glasgow published Super Duper Comics [1948]. W. Daly gave us Crasho Comic [1947]. Cardal Publishing of Manchester gave us the Gifford drawn Streamline Comics [1947]……..
There were so many publishers and titles and these titles included Ally Sloper, Ensign Comic, Speed Gale Comics, Whizzer Comics, Super Duper, The Three Star Adventures, The Atom, Prang Comic, Marsman Comic, Big win comic, Big Flame Wonder Comic, Evil Eye Thriller, The Forgers and many,many more –super heroes,science fiction, humour, detective,war comics the lot.
However, there was soon to be a revolution. Publishers started declining and the big companies continued on. Then,on 14th April,1950, ”launching British comics into the new Elizabethan Age,and the Space Age” appeared The Eagle, starring Dan Dare. This date can be seen as the start of the Silver Age of British comics.
In the Amalgamated Press’ Lion no.1,23rd February,1952 Robot Archie made his debut. In 1953, rivals D. C. Thomson featured General Jumbo in The Beano. Miller, of course, brought us Marvelman and his family of comics.
More uniquely British characters followed and into the 1960s we saw “The House of Dollman”, ”The Spider” (created by Jerry Siegel despite what some UK pundits write. I spoke to the man in charge at Fleetway who when younger handled the scripts with Siegel's name on and told how the office was a-buzz about "the character -created by one of the men who created Superman"), ”Steel Claw” and ”Rubberman” appear.
In the mid –to- late 1970s titles began to get cancelled more and more frequently with Thomson and Fleetway/IPC seemingly not sure just where they were going comic –wise. In February,1977, 2000 AD made its debut and it was a pivotal point for British comics [not to mention for the US industry which later recruited many of the talents involved to help its rapidly sinking comics in the mid-1980s.
From all of this we can define the ages of British comics.
The Platinum Age ~ 1796-1938
The Golden Age ~ 1939-1949
The Silver Age ~ 1950-1976
The Modern [Bronze Age] ~ 1977-1995
And there you have it;a brief break-down and definition of the Ages. of British comics. What we see today are little cliques of Small Pressers who come and go by the dozen every few months. Those who continue to declare there is an industry are rather sad as they depend on a non-existent thing to boost their ego and "be someone".
Wednesday 21 February 2024
A Few Words At 2330hrs On A Wet Wednesday
I never seem to sell any British Golden Age reprint books and certainly no one seems to respond to posts so is there interest in the old British GA comics and characters?
Well, looking at the stats there does seem to be.
All time views 51095
last month 1891
yesterday 100
And the audience is truly international so why is no one buying, chatting or helping chase things up?
No idea but here is a breakdown of the countries viewing this blog most.
15.9K
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Tuesday 20 February 2024
Vintage Comic Buyer -Beware
A warning. Back in the 1970s two sets of facsimile 1900s comics were published by Denis Gifford.
The paper quality is modern and I have now bought three that were sold as genuine editions -got my money back each time with a "I didn't know" -the sellers had the other issues so big lie.
This is NOT a 1931 copy of Jester. It is a facsimile and one of five facsimile comics published by Denis Gifford in the 1970s.
"vintage Jester comic No 1552 Aug 8th 1931" No 1552 Aug 8th 1931, HAS BEEN FOLDED & WILL BE POSTED THUS. Very good condition, signs of aging, some page browning"
said seller (13714)
Convenient as that way you could not see the tell tale signs. So I got the copy and saw it straight away as not genuine first edition. So I wrote:
"Bloody annoyed as you are the third seller to sell me one of those facsimiles as genuine vintage."
BE WARNED!
Sunday 18 February 2024
Do I Call Them "Moaners", "Time Wasters" or "Trolls"
In all seriousness I have encountered them all since I started publishing Golden Age reprints and having the old characters featured in new strips.
For the GA reprints I had someone who wrote: "You have humour strips in this collection and I am not going to buy those unless its super heroes" My response was to ask how he knew what was in the books if he had never bought a copy of any of the volumes and I pointed to one that fulfilled his wish...nothing more.
Then I had someone make a public comment that I had reprinted a GA comic and it was from his scan as he could find no other scans of it online. He really got annoyed. My response was to post a photo of me holding the actual GA comic that I had scanned. Silence.
The next was a rather dubious statement to one of my own groups from someone who obviously thought I was stealing his online GA comics website viewers. Someone asked what sort of quality the reprints were and he stated "Not very good photocopies -looks like it was done on a photocopier in a shop" I can take weeks to clean up comic strips that were misprinted, have foxing on pages, sellotaped pagers and general print dirt from the cheap 1940s printing process. I pointed out that this person had an online comic site so was not happy and then asked which book of reprints he had because at that time no copies had sold. Silence.
Then the newer strips with GA British characters. Drawn in great style by Ben Dilworth and not changing the characters. "It's not like the original strip!" was one comment. Well, since most of the original creators had been dead a few decades and the strips were drawn by someone else...you get my point. Also the original artist on one character drew him slightly differently over the years so....
Above all else I go for top quality printing and paper and the cover prices are so low they are practically give-aways because I started publishing them as "a work of love" as they call it. So one of the books of reprints will cost you about 2-3 times (some times 5 times) cheaper than the original comic IF you can find it.
To make it clear:
1. if you order a book from the online store it does not involve international shipping. Books are printed in your region -that's how print on demand works.
2. The price of the book should be shown in your own currency.
3. Obviously your local postal rates apply and there are options for tracked, special delivery and untracked (the least expensive) postage from within your region.
Ordered in your region, printed in your region and delivered by the postal system in your region. It could not be more simple.
One important thing to note is that third party sellers will state "post free" and that is a lie. You often pay 30-75% more on a book ordered through a third party seller than from the online store. The reason is because the third party seller HAS to buy from the online store and the selling price usually covers two postal payments -0from store to them and then to you.
People have purchased from third party sellers and not gotten their books or have had to wait over a month for them to arrive. At that point they contact me and it is all very simple: they tried to rob me of a sale and bought a book at a far more expensive price because they read "post free". That is important because if you buy from a third party seller you are removing the small profit I make on a book. Also, ordering from the online store is not just cheaper but, even though it has never happened since I started selling in 2009, I can actually look into why you have not had your book delivered. Third party seller -your tough luck.
Support the creator and publisher not third party scammers.
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