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Tuesday, 28 April 2026

The Skeleton Crew, or, Wildfire Ned



Author(s) remained anonymous as content could be violent, sexual or otherwise publicly offensive! And on occasions several people wrote these chapters. A gentleman would never want his name associated with such material (that earned him money). As for the engraver-artists..many are simply anonymous and were happy for paying work! Wildfire Ned and The Shadow of Death are not the same character

This is one heck of a thick book and, again, you need to be able to read in the style of the time which can be very wordy to modern readers. Of course, when I turned the character into one suitable for comics (The Master Plan of Lord Sebastian Perish in Adventure 53 on) it was far more readable!  There are incidentally over 550 pages so it's kinda epic!

This synopsis from Google books sums it all up:

"Venture into the shadowy world of Victorian London with "The Skeleton Crew, or, Wildfire Ned," a classic penny dreadful ripped from the pages of history. This gripping tale, steeped in gothic horror and laced with mystery, exemplifies the thrilling and sensational storytelling that captivated readers of the era. Originally published anonymously, this rediscovered gem of historical fiction plunges into the darkest corners of society, offering a glimpse into a world of intrigue and suspense.

"The Skeleton Crew" embodies the spirit of the penny dreadful, a genre renowned for its suspenseful plots, eerie atmosphere, and unforgettable characters. Carefully prepared for print republication, this edition allows you to experience the raw, unfiltered excitement that defined Victorian popular literature. Perfect for fans of gothic horror, historical mysteries, and anyone seeking a thrilling escape into the past. Discover the enduring appeal of this historical artifact, a chilling testament to the power of suspenseful storytelling.

"This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it."

If you have a love of comics, graphic novels or horror in general you really have to learn more about The Monk, Melmosth the Wanderer and The Skeleton Horseman/Skeleton Crew. It is part of what we would call pop culture history.






The Monk:A Romance -Readers were shocked by its sexually explicit content

The Monk: A Romance is a Gothic novel by Matthew Lewis. It was over 10 years ago that I read it for the second time (I really like to punish myself!) and I started to write a synopsis of the story and realised I was missing gaps all the time.
Matthew Gregory Lewis, detail of an oil painting by H.W. Pickersgill; in the National Portrait Gallery, London.


And then...Wikipedia. Someone -and full credit goes to him/her- did an excellent synopsis https://en.wikipedia.org/wiki/The_Monk and so I present what can be considered one of the influences on later story paper and comic set (strips) influencers.


The Monk: A Romance is a Gothic novel by Matthew Gregory Lewis, published in 1796 across three volumes. Written early in Lewis's career, it was published anonymously when he was 20. It tells the story of a virtuous Catholic monk who gives in to his violent and lustful urges, setting off a chain of events that leave him damned. It is a prime example of the type of Gothic that specializes in horror.

Upon publication, the novel proved scandalous. Readers were shocked by its sexually explicit content, and themes of rape and incest, leading it to become arguably the most controversial Gothic novel of the 18th century. Amidst a public outcry, the novel became hugely popular. Over time, Lewis came to feel that its writing had been in poor taste. Later editions were heavily censored by the author himself.

The Monk is considered part of the gothic literary canon, a forerunner to the popular Gothic novels of the 19th century, and an influence on the modern horror genre. It has been adapted or significantly inspired a number of plays, films, and writings.



Ambrosio was left at an abbey in Madrid as an infant and is now a famously celebrated monk. A beautiful and virtuous young woman, Antonia, goes to hear one of his sermons, and meets Lorenzo, who falls in love with her.

Ambrosio's closest friend among the monks, Rosario, reveals that he is a woman named Matilda, who disguised herself to be near Ambrosio. While picking a rose for her, Ambrosio is bitten by a serpent and falls deathly ill. Matilda nurses him. When he recovers, Matilda reveals that she sucked the poison from Ambrosio's wound and is now dying herself. At the point of her death, Matilda begs him to make love to her, and he agrees reluctantly. After having sex with Ambrosio, Matilda performs a ritual in the cemetery which cures her of the poison. She and Ambrosio continue to be secret lovers, but Ambrosio grows tired of her.

Ambrosio meets Antonia and is immediately attracted to her. He begins visiting Antonia's mother regularly, hoping to seduce Antonia. In the meantime, Lorenzo has secured his family's blessing for his marriage with Antonia. Matilda tells Ambrosio she can help him gain Antonia's charms, the same way she was healed of the poison: witchcraft. Ambrosio is initially horrified, but agrees. Matilda and Ambrosio return to the cemetery, where Matilda calls upon Lucifer, who appears young and handsome. He gives Matilda a magic myrtle bough, which will allow Ambrosio to open any door, as well as rape Antonia without her knowing. Ambrosio uses the magic bough to enter Antonia's bedroom. He is on the point of raping her when Antonia's mother arrives and confronts him. In panic, Ambrosio murders her and returns to the abbey, unsatisfied in his lust and horrified that he has now become a murderer.

Antonia, grief-stricken, sees her mother's ghost. She faints and Ambrosio is called to help. Matilda helps Ambrosio acquire a concoction that will put Antonia in a deathlike coma. While attending to Antonia, Ambrosio administers the poison, and Antonia appears to die. He takes Antonia to the crypt beneath the convent, where she awakens from her drugged sleep and Ambrosio rapes her. Afterward, he is as disgusted with Antonia as he was with Matilda, who arrives to warn him that the convent is burning down due to a riot (caused by the events of Raymond and Agnes's story). Antonia attempts to escape, and Ambrosio kills her.

Ambrosio and Matilda are brought before the Inquisition. Matilda confesses her guilt and is sentenced to death. Before she is executed, she sells her soul to the devil in exchange for her freedom and her life. Ambrosio insists upon his innocence and is tortured. He is visited by Matilda, who tells him to yield his soul to Satan. Ambrosio again proclaims his innocence, but when faced with torture, he admits to his sins of rape, murder, and sorcery and is condemned to burn. In despair, Ambrosio asks Lucifer to save his life, who tells him it will be at the cost of his soul. Ambrosio is reluctant to give up the hope of God's forgiveness, but Lucifer tells him that there is none. After much resistance, Ambrosio signs the contract. Lucifer transports him from his cell to the wilderness. Lucifer informs him that Antonia's mother, whom he murdered, was also his mother, making Antonia his sister, adding to his crimes the sin of incest. Ambrosio then learns that he accepted Lucifer's deal only moments before he was to be pardoned. Lucifer reveals that it has long been his plan to gain Ambrosio's soul, as he could see that Ambrosio was "virtuous from vanity, not principle." He also reveals that Matilda was a demon helping him. Finally, Lucifer points out the loophole in their deal: Ambrosio only asked to get out of his cell, and Lucifer did not agree not to harm him afterwards. Lucifer carries him into the sky and drops Ambrosio to his death, triumphant that Ambrosio's soul will now be damned for eternity.


Lorenzo's sister, Agnes, is a nun at the nearby abbey who is romantically involved with Raymond, son of a Marquis. Ambrosio hears the confession of the nuns at Agnes's convent. When Agnes confesses that she is pregnant with Raymond's child, Ambrosio turns her over to the Prioress of her abbey for punishment.

Lorenzo confronts Raymond about his relationship with his sister Agnes. Raymond tells their long history. Raymond was travelling in Germany when he was nearly killed by bandits. He avoided being killed, and rescued a Baroness who was also travelling. Visiting the Baroness afterward, Raymond fell in love with her niece Agnes. However, the Baroness was in love with Raymond; when he refused her advances, she made arrangements to send Agnes to a convent. Raymond and Agnes made plans to elope before Agnes left her aunt's castle for the convent. Agnes planned to dress as the Bleeding Nun, a ghost who haunted the castle and exited its gates at midnight. Raymond accidentally eloped with the real ghost of the real Bleeding Nun. Exorcising the ghost of the Bleeding Nun required assistance from the Wandering Jew. When Raymond was free, he found Agnes in the convent. There he seduced Agnes. When she discovered that she was pregnant, she begged him to help her escape.

When Raymond finishes his story, Lorenzo agrees to help him elope with Agnes. He acquires a papal bull releasing Agnes from her vows as a nun so that she may marry Raymond. However, when he shows it to the Prioress, she tells Lorenzo that Agnes died several days before. Lorenzo does not believe it, but after two months, there is no other word concerning Agnes. Eventually, to try to find Agnes, Raymond's servant disguises himself as a beggar and goes to the convent, where Mother St. Ursula sneaks him a note that tells Raymond to have the cardinal arrest the Prioress for Agnes's murder.

During a procession honouring Saint Clare, the Prioress is arrested. Mother St. Ursula publicly describes Agnes's death at the hand of the sisters. When the procession crowd hears that the Prioress is a murderer, they turn into a rioting mob. They kill the Prioress, attack other nuns, and set the convent on fire. In the confusion, Lorenzo finds a group of nuns and a young woman named Virginia hiding in the crypt. Lorenzo discovers a passage leading down into a dungeon, where he finds Agnes, alive and holding the dead body of the baby she had given birth to while abandoned in the dungeon. With Virginia's help, Lorenzo rescues Agnes and the other nuns from the crypt.

Virginia visits Lorenzo as he is recovering from his grief and the two become closer. Agnes tells the story of her miserable experience in the dungeon. Agnes and Raymond are married, and the couple leaves Madrid for Raymond's castle, accompanied by Lorenzo and Virginia, who are also eventually married.

----fin---

Reading the book itself in the 21st century it all seems rather tame and I am surprised no film studio or TV network has grabbed the work to "spice it up" to, as they keep saying, "make it understandable to a modern audience" (ie: sex scenes and lots of obscene language).

I really wish I knew what I did with the first 20-30 pages of a graphic novel script I did in...1998. 






Sunday, 26 April 2026

Melmoth the Wanderer

1819 engraved portrait of Maturin -from a Russian edition of the work

 
Melmoth the Wanderer, by Charles Robert Maturin (1770-1824), published in 1820 and considered the last of the classic English gothic romances.  Maturin was a Irish playwright, novelist and clergyman born and died in Dublin (then Ireland now Eire) and the book appears to have been, if biographers are correct, written in haste to meet a deadline from a publisher.

The novel offers social commentary on early 19th-century England, which would have  raised some eye-brows at the time,  It also and denounces Roman Catholicism in favour of the virtues of Protestantism which would be expected at that time thanks to religious intolerance.

The story, a complex weaving of tales-within-tales, is set in the early 19th century, when John Melmoth learns the fate of his ancestor, the title character, by reading a secret document and through his contact with a Spanish sailor.

When this is listed anywhere online it is obvious that the person  behind the post has not read the book itself but has "borrowed" the whole thing from someone else who has not read the book.

It chronicles the adventures of a man who sells his soul in exchange for prolonged life.  There is an excellent synopsis on Wikipedia:

John Melmoth, a student in Dublin, visits his dying uncle. He finds a portrait of a mysterious ancestor called "Melmoth"; the portrait is dated 1646. At his uncle's funeral, John is told an old family story about a stranger called Stanton, who arrived looking for "Melmoth the Traveller" decades earlier.

A manuscript left by Stanton describes his first finding Melmoth laughing at the sight of two lovers who have been struck by lightning, and hearing of a wedding at which Melmoth was an uninvited guest: the bride died and the bridegroom went mad. Stanton's search for Melmoth is deemed to be madness and he is sent to a madhouse. Melmoth visits him there, and offers to free him, but Stanton refuses and escapes.

Following his uncle's wish, John burns the Melmoth portrait. He is visited by Melmoth in a dream, and later sees Melmoth laughing at a shipwreck. John tries to approach him, but slips and falls into the sea. He is saved from drowning by the sole survivor of the wreck, a Spaniard named Alonzo Monçada.

Alonzo Monçada tells his story (The Tale of the Spaniard), in which his family confines him to a monastery. He is mistreated by the monks, and his brother Juan arranges for him to escape with the help of a fellow monk, a parricide *the killing of a parent or close relative -TH). The escape plan is a trap and Juan is killed. Monçada is taken to the prison of the Inquisition. There he is visited in his cell by Melmoth, who says he will help him escape. A fire breaks out, and in the confusion Monçada escapes. He meets a venerable Jewish scholar, Adonijah, who lives in a secret chamber decorated with the skeletons of his own family. In exchange for food and shelter, Adonijah compels Monçada to transcribe a manuscript for him: the Tale of the Indians.

Isidora's father encounters a stranger at an inn who tells him the Tale of Guzman's Family. Guzman is a wealthy Spanish merchant whose sister marries a poor German musician, Walberg. Guzman decides to make Walberg's family his heirs, but his will leaves everything to the church, and the family sinks into poverty; almost insane, Walberg decides to end their poverty by killing them all – but before he does so news arrives that the true will has been found and the family is saved. By this point in the story, Isidora's father has fallen asleep, and wakes to find the stranger at the inn replaced by Melmoth.

Melmoth tells him the Lovers' Tale, about a young woman in Yorkshire named Elinor, who is jilted at the altar and is subsequently tempted by Melmoth, but refuses his help.




The Tale of the Indians resumes: Isidora returns to her family, but she is pregnant with Melmoth's child. She has a presentiment that she will not live, and gets Melmoth to promise that the child will be raised as a Christian. Isidora's father finds a husband for her, but in the middle of the wedding celebrations, Melmoth tries to abduct Isidora. Her brother tries to intervene, and Melmoth kills him. Isidora falls senseless and Melmoth escapes. Isidora reveals that she is already married, to Melmoth. She gives birth, but she and her baby daughter are imprisoned by the Inquisition. The inquisitors threaten to take away the child, but find that it is already dead. Isidora, dying of grief, remembers her island paradise, and asks if "he" will be in the heavenly paradise.

Monçada and John are interrupted by the appearance of Melmoth himself. He confesses to them his purpose on Earth, that his extended life is almost over, and that he has never been successful in tempting another into damnation: "I have traversed the world in the search, and no one to gain that world, would lose his own soul!" Melmoth has a dream of his own damnation, and of the salvation of Stanton, Walberg, Elinor, Isidora and Monçada. He asks John and Monçada to leave him alone for his last few hours of mortal existence. They hear terrible sounds from the room, but when they enter, the room is empty. They follow Melmoth's tracks to the top of a cliff, and see his handkerchief on a crag below them. "Exchanging looks of silent and unutterable horror", they return home.





The story is complex, yes; but it is written in a style that so many people find difficult to read but, if like me, you are an archivist and your other avenues of work include reading works from pre 20th century sources...you'll do fine!.  When I finished reading the book it left me thinking that this was an "open ending" -the reader had to decide whether Melmoth was dead or..... but that might just be me (it usually is).

I once tried to synopsize the story and it is very difficult but it would make a great graphic novel!

Thursday, 16 April 2026

Tornado Meets The Sea Beast!

I know what you are thinking: "Are there pages missing?"

Nope. Artists were told to provide a full story in 4 pages then they produced 4 page stories. I think the idea was that there was enough to give a kid's imagination a push.

Saturday, 14 February 2026

Comic Bits 3 -A Treasure Trove of Lost, Found and Forgotten!

 


A4

Colour/BW

80pp

£10.00 UK

https://www.lulu.com/shop/terry-hooper/comic-bits-no-3-2026/paperback/product-q6wqden.html?page=1&pageSize=4

Comic Bits is the only journal dealing with the Platinum, Golden, Dark and Silver Ages of British comics and the creators involved.

This edition looks at the number of British "Bat men" -characters lost to time. The Bat by William McCail stars in his only ever appearance

We take a look at Tom Browne and Oliver Veal recognised as creators of what became the "British style" for over 100 years.

Prolific creator Terry Bave and his wife Sheila give us a glimpse of working in Silver age weekly comics.

Then there three rarities: the first is the origin of T.N.T. Tom a true star of Swan comics. Secondly we have the other star of Swan in Dene Vernon -Ghost Investigator. His very first pouting from 1940.

Third...well, a massive shock was the discovery of a super heroine not mentioned in any sources and this one off appearance drawn by E. H. Banger (we look at his career in this issue as well) -after 60 years Wanda the Wonder Girl is revealed!

Comic strips from some of the greats of British comics add extra zing to this issue.

Why miss out!

Saturday, 10 January 2026

I Hope I Get Enough Time To Revive This One

 

 One of the characters I want to bring back to a modern audience is "the old fella" who is a pretty (very) obscure character but with a lot of potential.   Sadly, I would rather be drawings than having to letter and that task has been very slow of late. I do have the story HE will re-appear in but lettering...ugh

  Just who he is you better hope I live long enough to present him as no one gets a freebie any more and don't try to offer this one a rubber £10 note!

And I sincerely apologise to him for stating he might be a tad smelly. He is a gentleman and takes grooming seriously!  

He may be old but he has one hell of a punch!