The following pages are from COMIC BITS no.5,Christmas,2004.
To many the name Tom Browne will mean nothing. And yet, he
was the original master of British comic strip art. So, how can I ignore him in
a publication dedicated to the Golden & Silver Ages of British comics?
Thomas Browne was
"born of humble parentage", as the writers like to say, in the city
of Nottingham,
in 1870. There was a brief education, common in those days, until he was 12
years old at the St. Mary’s National
School. Young Tom was
then put out to carry hat boxes for a milliner. However, Tom was handy with a
pencil and was apprenticed to a lithographer, which earned him the princely sum
of one shilling a week -but that salary rose by 18 pence a year until he left
in 1891.
Obviously, a young man needed more than that to live on and
so, while an apprentice, Tom moonlighted as a freelance cartoonist for the London comics. The first
eight-pager from the 18 year-old was titled "He Knew How To Do It"
and was published in Henderson’s SCRAPS and one night’s work had
earned him over six months wages -some thirty shillings!
As soon as his apprenticeship was over, young Tom moved to London where he intended
to tackle the ha’penny comics and earn a real living.
Phil May was a brilliant cartoonist who took all the
overloaded cross-hatching out of Victorian cartooning, as seen in periodicals
such as PUNCH. May was able to
capture characterisations in a few smooth strokes, it was modern cartooning no
doubt hated by the traditional illustrators!
Naturally, May was Tom’s favourite cartoonist. Tom applied
the "May method" to his own work; crisp line work with carefully
spotted areas of solid black. This style
was perfect for Harmsworth’s ha’penny comics: they consisted of cheap printing,
low quality newsprint paper, Ill-etched blocks and cheap, near grey ink. Now
you know why old comics were not designed to last!
All of Tom’s early work were one-off sets, but slowly, over
a period, the ideas crept in; the first being "Squashington Flats" in
COMIC
CUTS in 1895, but his greatest creations were soon to appear. Browne’s
favourite fictional heroes were Don Quixote and Sancho Panza -and there was his
inspiration! On the front page of THE ILLUSTRATED
CHIPS no. 298, 16th May, 1896, appeared a six panel picture strip
entitled "Innocents On The River". It featured two tramps, a thin one called
Weary Waddles, and a rather stout chap called Tired Timmy. Something about the pair clicked (rather like
film funsters Laurel & Hardy years later) and editor G. H. Cantle called
for more -how could Tom refuse?
The characters were re-named as "Weary Willy &
Tired Tim" and their adventures continued for a staggering 60 years! Only one other artist ever drew the dynamic
trampsters; that was Percy Cocking who drew in Tom’s style but never once had
his name credited (typical of British weekly comics). Cocking’s run lasted 40 years until the pair
retired to the plush mansion
of Murgatroyd Mump,
millionaire, in the last issue of CHIPS on 12th September, 1953.
The two tramps shot the circulation of CHIPS to 60,000 copies
per week!
Obviously, this could not go unchallenged by other
publishers. Tom was to create similar characters for many such as "Airy
‘Alf And Bouncing Billy" for THE BIG BUDGET, in 1897; "Lanky
Larry And Bloated Bill" for COMIC HOME JOURNAL, in the same year
and, in 1898, "Don Quixote de Tintogs" appeared in COMIC
CUTS. Still a record in British comics, for six months Tom drew five
front pages each of six panels every week! This increased his earnings to, for
that period, an incredible £150 per weeks.
By 1900 the workload had tired Tom out and he left comics to
do other things such as paintings, posters, postcards and in 1906 even went to
the United States
as cartoonist on the CHICAGO DAILY TRIBUNE.
Later, Tom even helped found the London Sketch Club.
For 50 years comic artists would imitate and emulate the
"Browne style". Rather like
editors did years later with Dudley Watkins, during and after Tom’s time,
artists were urged to draw "in the style of".
Tom Browne died at the very early age of 39 in 1910.
As Denis Gifford pointed out in THE INTERNATIONAL BOOK OF
COMICS [1990]:~
"...his
true living legacy may be seen in any
copy of almost any British comic."
One has to wonder,had Browne lived to see the explosion of
comics in the 1930s, just what might he have produced? Perhaps somewhere, in a parallel dimension, he
went on to even greater things!
And I posses a few of those Browne post cards and they are
lovely!
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