The Outlaw Sheriff

 From D C Thmsons Adventure no. 1346  4th November, 1950.  There is absolutely no information online or anywhere else about this character so even artist is "anon"

or is it?

Looking at the style and there is almost the look of Dudley Watkins in the art. It might bhe possible since he did a lot for Thomson and thee were short one pagers.

Another interesting fact is that in the 1985 edition of Denis Gifford's The Complete Catalogue of British Comics... Thomson's Adventure is not mention but a dozen other "adventures" are!

He Was The Father of Garth -Forgotten Golden Age Creator Steve Dowling

 

Back in 2011, because it seems that everyone had forgotten him, and the legendary character he created,Garth, I re-posted an interview the late Denis Gifford conducted with Steve Dowling.

My Britcomics group and British Golden Age Comics sites were the only places where anyone could find photographs of Steve.  Since that time, as is always the way, the photographs have been pilfered repeatedly and writers 'anecdotes' have been stolen from this interview.  I know this because Dowling only ever got interviewed once as no one thought him important because he was not Asbury, Allard or Bellamy -most people seem to think Bellamy created Garth!

According to a family member, Steve had very little money after he was forced to retire (obligatory under company law -supposedly since it never stopped Giles from continuing on) and his younger family members had no idea he had been a working artist.  In fact, after his death, apart from one or two drawing he had made for youngsters,the family had no samples of his newspaper work.  Piers Morgan at the Daily Mirror, that had published Garth, made no secret that he detested newspaper comic strips.  When I spoke to him on behalf of the Dowling family (whom the Daily Mirror had already refused a request from) it ended with him saying "Why are you bothering me with this rubbish?" and he put the phone down.

So called British comic 'experts' also refused to get involved or track work down -it was one of the reasons that I set up the Yahoo Britcomics and British comic Book Archives groups.  No creator should be forgotten or treated as though their original work had no value when compared to the later 'stars'.

Before I get too angry -here is the interview!

Steve Dowling -Father Of GARTH!

Around 1999, I had an email from the grandson of Steve Dowling who was living in Canada.  I learnt that Steve had been bumped out of his job simply because he had reached 65 years of age (only in the UK!).  He then spent many years living off a poor pension.  Steve had no original art from his newspaper strip days to show his family -it’s why I was contacted because of my British Comic Books Archive project.


Apparently the family had asked the Daily Mirror newspaper if it could just get some photocopies of the pages for themselves.  No.  They asked then editor Piers Morgan (can I spit?) who basically responded that he had no time to waste of dumb comic strips (his hatred of them is well recorded).

I lost the email from the family when my old computer blew. IF Steve’s family in Canada read this then I have Garth strips I can offer on share file.


Published in ‘Ally Sloper’ #1, 1976, and reprinted in ‘Comic Bits’ #1, 2001. Denis Gifford conducts an on-stage interview at ‘Comics 101′ on 20 March 1976 with Garth creator Steve Dowling, who died in 1986.

STEVE: I might say that it’s been more than worthwhile to come all this way, because I thought nobody knew me any more, let alone thought me worthy of an award! Everybody’s been so kind to me and said so many nice things that I’ve really been rather overwhelmed by it all. Thank you very much, everyone.

DENIS: Well, we’ll get on to the British newspaper strip, which you were almost solely responsible for. You worked under several different names and different styles. How did it all start?

STEVE: It started by my going riding with a friend who did a strip called ‘Tich’ in the Daily Mirror, the ideas for which were supplied by my brother, Frank. Coming back from this event, rather full of liquor, unfortunately there was a car accident and the artist, Martin, died. And so I had to step into his shoes and was plummeted into the strip business in a rather shaky condition, having gone through the roof of a car! ‘Tich’ ran for some years. [from 1931 - DG]


DENIS: But you were an artist before this?

 Steve Dowling receiving an Ally Sloper award from Denis Gifford and Bob Monkhouse at Comics 101

STEVE: I was in advertising. As a matter of fact, I was at the time Assistant Art Director for Dorland Advertising at the age of 24. I gave up my job at Dorland’s because I could do ‘Tich’ in one day a week – there were very few lines in the thing, very slick little drawings – and then I could go down by the seaside and put my feet up for the rest of the week, which was very nice indeed!

DENIS: There were strips in the Mirror before ‘Tich’, ‘Dud’ and ‘Jinks’ and so on – but after ‘Tich’ strips seem to blossom.



STEVE: Well, old Guy Bartholomew who was chairman of the Mirror was mad hot about strips. Having been an artist himself he regarded the strips as the main part of the paper. His opinion was that most people couldn’t read, anyway, and liked looking at pictures!

DENIS: What was the genesis of ‘Ruggles’, your first real strip?

STEVE: I think having seen American continuity strips. I got the idea for this character ‘John Ruggles’, an ordinary chap, and my brother who had quite a gift for humorous writing,wrote the words. In point of fact I think ‘Ruggles’ was the first continuity strip to appear in a national daily. The others were all daily incidents. The idea of having a serial story run in picture form was new in this country, although, of course, it had been done in America. I remember Cecil King, who was rather small-fry then, always wanted me to make ‘Ruggles’ build a shed in his garden, because his 14 year-old son had suggested the idea! If I had taken King’s advice ‘Ruggles’ garden would have been so stiff with sheds that he wouldn’t have been able to move!

DENIS: Did you sit down and create ‘Ruggles’ as the average man with an average family?

STEVE: Very average! In fact we were trying to write down to the readers, a thing one should not do! Trying to make the strip as like the family life as we could. After a time my brother gave it up – he became the editor of the Picture Post instead – and I took it over. I tried to strengthen the storyline and some of the humour went out of it.


DENIS: Why did you sign it with a pseudonym: ‘Ruggles – by Blik’?

STEVE: Oh, that was just a short name like: ‘Tich – by Dart’.

DENIS: And: ‘Belinda Blue Eyes – by Gloria’?

STEVE: Oh, I was just one of a long line of Glorias! That was actually written in the first place by Bill Connor, who later became Sir William, ‘Cassandra’. He wrote it to order for Bartholomew the chairman. Everybody took a hand in those days. Basil Nicholson, the editor, who was the man who re-modelled the Mirror, his idea of having a comic strip was to have a different person every day slipping on a banana skin. One day a clergyman, the next day a policeman; he thought that was the level of public understanding.

Warrior World (1961) Full strip uploaded to the Face Book page


DENIS: Later ‘Ruggles’ featured the public actually in the strip. How did that unique series come about?

STEVE: They thought the strip was flagging a bit and Philip Zec, who was then the strip editor, asked me to come up with a twist. Well, Wilfred Pickles on the radio was then ‘Meeting the People’ and I thought I would try this in strip form. I took some roughs into Zec, who didn’t think much of the idea. He took it to the chairman, and next day I got a telegram from Zec: “Please draw some more along the lines I suggested.” Well, I did, and Zec got into trouble for claiming it was his idea – it became the chairman’s idea! But I must say that the idea eventually reverted to me – when they found that the series didn’t go down very well!!

DENIS: Why did ‘Ruggles’ come to an end?

STEVE: Well, they felt it wasn’t pulling. They asked for letters and, of course, more people will write and say they don’t like a thing than those who do, so ‘Ruggles’ went.

DENIS: And so, we come, at last to Garth. How and why did he begin?

STEVE: I had been writing and drawing ‘Belinda . . .’ and not enjoying it very much. Then they found another artist, Tony Royle, to take it on, so they asked me to produce another strip in order to justify my salary. It took me about three months to think up Garth and draw the first three weeks’ strips. The chairman thought that was rather too long – so he docked my pay!

DENIS: Did you set out to create a British equivalent to ‘Superman’?

STEVE: No, ‘Terry and the Pirates’ was my great influence, if anything. I was rather interested in Tibet, and the Forbidden City, and the magic that was there. For instance, in the beginning Garth was resuscitated by the ‘kiss of life’ from a rather attractive young woman called Gala. Well, the ‘kiss of life’ was not known here then, but I had read about it in a book on Tibet.

DENIS: Garth was a man of mystery. Did you have a solution in mind from the start?

STEVE: Oh, no. I had no solution at all. I had no more idea who Garth was than the reader!

DENIS: One mystery was that Garth drifted in from the sea, and there is no sea around Tibet!

STEVE: Artistic licence!

DENIS: Another striking feature was the constantly bared bosom of one of Garth’s girlfriends.

STEVE: One had to fight to show a little in those days.

DENIS: A “little”? I’d call it a lot! I suppose the exposure was very calculated?

STEVE: Oh yes. I certainly enjoyed drawing it.

DENIS: Why did you stop drawing Garth?

STEVE: I had to. I was freelance up to 1949. Then I joined the staff to get a pension, and when I reached the age of 65 I had to go. That was the rule, so I went.

Self drawn illo for Ally Sloper Magazine

And that, my friends, is how it ends.  Sad, but at least Steve realised how much his work was loved by fans and he deserved even more than that Ally Sloper but....

Thunderbolt Jaxon and the Glamorous Cannon Ball

 Thunderbolt Jaxon started out in The Comet (13th August, 1949) so is definitely a Golden Age hero. In 1958 he moved on to Knockout comic with some reprints. Hugh McNeil was the artist who drew the adventures.

Please not that I slightly cracked the spine on the annual to bring you these pages...at my age I cry over such things.

The Green Shiver a "vest pocket book"

For just over £6 ($7?) I bought a copy of The Green Shiver a "vest pocket book" given away by D. C. Thomson with Adventure comic in the early 1930s. This is no. 9. I missed out on a copy about three years ago as someone was putting in ridiculous bids.  Despite what Ebay sellers are telling you these old British comics are not "solid gold investments" or worth paying a small fortune for.

Some people believe that these are mini comics because certain "experts" have called them that. They are not.

The book measures 2.75 x 2.75 inches so is tiny.  And here is what is inside -a text story that with my spectacles is readable but, considering the age of the book it is in immaculate condition.

And to show just how old the joke of someone put in a cannibal boiling pot taking the opportunity to have a bath....

The question has to be was it worth buying?  Well, if you are an archivist and also into comics and want to see as wide a range of pre-war comic/boy's papers and associated items -yes.   Will I read the story? One day when I have the time and don't mind straining the eyes I will!

Black Slink The Shadow Spy (1949)

Drawn by George Ramsbottom (b 1903 d 1989) who produced work for D. C. Thomson's Dandy and Beano;  Invisible Dick  was his contribution to The Dandy in 1937. This strip (the Black Slink) appeared as a one pager over four issues of Adventure 1263 - 2nd April, 1264 - 9th April, 1265 -16th April and 1266 -23rd April 1949.

This was not the last appearance of the character as he returned in 1950 in (again in Adventure) a prose serial illustrated by Ramsbottom Dixon Hawke and The Black Slink in Adventure 1339 16th September -but this Black Slink was a villain so, in my opinion, a separate entity to the 1949 hero.

 

Dixon Hawke and The Black Slink

Black Tower: Come On Steve!

 

A4
B&W
32pp
£6.00
https://www.lulu.com/en/en/shop/terry-hooper/classic-fun-comics-1come-on-steve/paperback/product-1gq92mwe.html

Steve The Horse the creation of Roland Davies was a hugely popular newspaper comic stripin the UK and the Steve movies of the 1930s had an international audience. 

Learn how Davies got started in animation and comic strips as well as more about his career as a fine artist. 

And, of course, see some of the Steve strips reprinted and Ben R. Dilworth's modern take on the innocent character!

Black Tower: Dene Vernon -Ghost and Mystery Detective

 

A4
B&W
24pp
£7.00
https://www.lulu.com/en/en/shop/terry-hooper/dene-vernon-mystery-detective/paperback/product-124edpvm.html

After more than 70 years John McCail's ghost and mystery detective, Dene Vernon is back. 

In this Classic Comic Fun reprint four of Vernon's terrifying cases -The Burning Heart! -The Terror of Steinlitz Castle! -The Evil From The East! and The Silent Pool Mystery.

Black Tower: Hurricane Hurry -The Stranger On A Horse

 

A4

B&W

20pp

Price: £7.00 (excl. VAT)

Prints in 3-5 business days
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Hurricane Hurry is seemingly always at the right place and right time to come across bush-whacking skunks, low down varmints and plain old killers.

Under cover U.S. Marshall or Pinkerton Man? Or just a stranger on a horse "moving along"?
William A. Wards Western hero slaps-irons and uses his fists to deals out some Wild West justice.

Reprinting strips not seen in 60-70 years.

Black Tower -The Ultimate British Comics Gold Collection

 

A4
Paperback
B&W
405 pages

Price: £25.00 (excl. VAT)Prints in 3-5 business days

http://www.lulu.com/shop/terry-hooper-scharf/the-ultimate-british-comics-gold-collection/paperback/product-22041282.html

Combining volumes 1-6 (still available as individual issues but that works out far more expensive) of the BT Golden Age British Comics Collections (minus adverts) this is the ultimate for any Golden Age collector or historian or just plain comic lover.

Features....

Ace Hart

TNT Tom

Electrogirl 

Wonderman 

The Phantom Raider

Captain Comet 

Acro Maid

Phantom Maid

Dene Vernon

The Iron Boy

The Boy Fish

Professor Atom

The Tornado

Powerman

Wonder Boy

Slicksure

Masterman 

Dane Jerrus

Alfie

Tiny Tod

Maxwell The Mighty 

Back From The Dead

Zeno At The Earth's Core

Colonel Mastiff

Ally Sloper

Super Injun

Super Porker  (oo-er, no, Madam, ooh),

Tiger Man

King Of The Clouds

Captain Comet 

and MANY others!

Plus text features defining The Ages OF British Comics (Platignum, Gold, Silver), the artist William A. Ward and more.

If you knew nothing about British comics of the Platinum, Golden and Silver Ages then once you buy and read this book you'll be a goddam omic intellectual dinosaur! Yipes!

All in that beautiful Iron Warrior cover exclusively drawn for Black Tower by that meta-gargantuoso talented Ben R. Dilworth!

I sold my family to be able to get this book out! Help me buy them back by purchasing your very own 

whizz-o copy today!

Black Tower Gold Volume 6

 

A4
Paperback
B&W
35 pages

Price: £8.00 (excl. VAT)Prints in 3-5 business days

http://www.lulu.com/shop/terry-hooper-scharf/black-tower-gold-6/paperback/product-16249586.html

Yes! Now at issue 6 and bringing you more lost strips of the British Golden Age of Comics.There's a collection of strips featuring non other than TNT Tom and one of the weirdest UKGA characters -the Iron Boy.

Ever heard of Ingy Roob? Or his pet "Stretchy"? You will have if you read this issue.How about Dennis M. Readers Cat Girl?

Two other UK comics are reprinted in full, both from 1946 and the only issues ever published:Lucky Dice and The Fudge.

Black Tower -keeping UK comics history alive!

Black Tower Gold Volume 5 -Back From The Dead

 

A4

Paperback

B&W

68pp

Price: £6.00 (excl. VAT)Prints in 3-5 business days

http://www.lulu.com/shop/terry-hooper-scharf/black-tower-gold-5back-from-the-dead/paperback/product-12184231.html

William McCail’s 1940 classic is reprinted for the first time in 60 years.

If you are into British Golden Age comics or early comics in general this is for you.

Robert Lovett rises from the dead and finds he has some startling powers: deaths follow, as does a Scotland Yard detective determined to track down the mysterious killer!

Black Tower Gold Volume 4

 

A4
Paperback
B&W
86 pages

Price: £8.00 (excl. VAT)Prints in 3-5 business days

http://www.lulu.com/shop/terry-hooper-scharf/uk-gold-collection-4/paperback/product-12184087.html

The fourth volume of this series features some great finds of the lost era of British comics:

Ace Hart The Atom Man, Captain Comet -Space Ranger TNT Tom, Clive Lynn -Space Reporter, Superstooge", The White Gorilla", Atomic Tuffy, Cast Iron Chris, Sigord and many others!

Black Tower Gold volume 3

 

A4
Paperback
B&W
68 pages

Price: £8.00 (excl. VAT)Prints in 3-5 business days

http://www.lulu.com/shop/terry-hooper-scharf/black-tower-british-gold-collection-3/paperback/product-12183586.html

This is the third volume in Black Tower Comics’ collection of Golden Age British comic strips that have not seen print for 50-60 years!

Included in this volume is a bumper crop of Ace Hart:The Atom Man strips and an article on the character.

A complete 1949 comic in Smugglers Creek; Denis Gifford’s Search For The Secret City and science fiction legend Bryan Berry’s rendition of Kid Carter -Teenage Tec! A must for all comic collectors and historians.

Black Tower Gold Volume 2

 

A4
Paperback
B&W

Price: £8.00 (excl. VAT)Prints in 3-5 business days

http://www.lulu.com/shop/terry-hooper-scharf/black-tower-british-gold-collection-2/paperback/product-12183569.html

The second collection of British 1940s comic strips featuring Maxwell The Mighty, Slicksure, Iron Boy,Alfie, Ace Hart and more.

Featuring the work of Golden Age Greats Alf Farningham and Harry Banger.

Specifically designed to feature more humour than the previous volume this should be a treat for all comic collectors. Reprinting the full content of The Meteor and The Rocket Comics from 1948.

Black Tower Gold volume 1

 

A4

B&W

94 pages

Price: £8.00 (excl. VAT)Prints in 3-5 business days

http://www.lulu.com/shop/terry-hooper-scharf/black-tower-british-gold-collection-1/paperback/product-12183527.html

For the first time in 60 years some of the lost gems of the British Golden Age of Comics are reprinted!

Scanned and cleaned to the best standard possible -see The Phantom Raider, Ace Hart, Secrets Of The Super Sargasso Sea, Phantom Maid, Electrogirl, Skybolt Kid, Wonder Boy, Dene Vernon, Professor Atom and many, many others!

Its fun and action all the way -The British Golden Age shines through!

Golden Age Reprints -No, It Is NOT Making Me Rich!

 

There seems to be a belief in certain very small circles that I make money out of the British Golden Age reprints.  Let me set the record straight (again). 

There is only a small amount of interest in British Platinum, Golden and Silver ages comics. As two You Tubers in the US pointed out in videos I watched last night: "Old don't mean they are worth a lot of money.; There is limited interest."  There is this online inspire money grab craze going on where a comic dated 1989 is "vintage"/"rare" but I was involved in comics and looked into comic production and the books would only be rare if many thousands of other copies were all suddenly destroyed. The same applies to toys -Ebayers and dealers are literally making a very (VERY) profitable living buying things cheap at car boot sales or charity shops then adding £20-40 on top to sell (Americans £20-40 would $26-53). 

I bought a lot of vintage annuals/albums and comics and have never spent over £10 ($13). That written I can still state that the books I have are worth a few thousand BUT no one wants to buy at a reasonable price but then, I am not intending getting rid of them.  I now see these annuals with price tags of £20-100 (which is ludicrous).

I have the books and then I decide what needs to be scanned and put into the next album or book. Cleaning and resizing scans takes a long time and even the print on Demand uploading and publishing can be a pain and one 48 pages album can take a couple weeks of daily work and then I price as low as I can (the POD company and printers take a big cut and as the POD company is in the US I get hit with US taxes and when the exchange rate is favourable to the POD!).

Basically, the books are "giveaways" as I am lucky to get £4-5 ($5-6 dollars back, usually less.) -you need to sell 50+ books to get some money back and even then it is not compensation for all the time and effort. The Golden age books are a "vanity project"/work of love to save characters, publishers and even creators from obscurity and I have been doing that since 1984.   It sounds weird but I open up an old comic or annual and turn a page and -there is a character I have never heard of or even a chance purchase and I find the origin of TNT Tom which I will tell you now I NEVER ever expected to see! Apparently I was flapping around like a real weirdo all day!

No money making (I am not against that!) but it's a bit of a passion so as long as I keep finding the old strips I will keep making sure they do not fade into obscurity!