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Sunday, 11 October 2026

Upcoming changes

British Golden Age Comics has so far been viewed  214, 813 times while UK Golden Age Heroes and Comics has had 89,884 views.

Trying to publish new material to two blogs which, quite honestly, are on the same subject is a lot of work. Getting the material, writing it up, editing and posting can take time and there are things I have looked at when trying to make a decision as the their future.

Firstly, the posts attract no comments or VERY rarely attract a comment. There is no feed back or conversation with readers -that was the whole point of the blogs because you might assume with the number of views someone must think something or have questions.

Secondly, sales of the Platinum, Golden and Dark Ages compilations. Each book can take a couple months to put together and gathering the material can cost. But the books are a "passion project". There were at one time a lot of supposed fans of comics from these periods and the material I publish is what we would have grabbed like crazy in the years preceding the internet and the new age of illiteracy.

Of the Black Tower Gold reprints I believe that two copies have sold of each. Of the Ultimate Golden Age Collection about 5 copies. That is not weak that is an abject failure. Once I shift this mortal coil the online store closes. There are no stocks of books to buy in later years as everything is print on demand. Only books ordered get printed. Yep, I go everything goes and I had hoped there would at least be copies of the books out there for the future.

So, lack of any comments/conversations or sales of books has had me re-assess the blogs. What I do post in future will opnl;y be on the British Golden Age Comics blog.

These changes will begin at some point before Christmas so if you are still interested in the material BGAC is the blog to earmark.

Thank You.

I often Ramble...and Appeal.

 



 "Why don't you publish a British Golden Age horror collection?"

Well, the pulp scene continued in a way with US reprints but not horror comics as such. We had Dene Vernon dealing with all sorts of supernatural menaces (and moe) and Krako was "The Angel of the Burning Death" but apart from incinerating some "unidentified European fascist troops" there was a lot of interesting but hardly "horror" action.

Most of this has already been reprinted in the Gold series and Dene Vernon has already had a reprint issue. The thinking at the time was that comics were for youngsters and it was probably considered giving kids horror stories when they faced  bombing raids and deaths every night was a bit much. escapism was far better. The 1940s were the Dark Age of British comics as explainmed in this post: https://hoopercomicart.blogspot.com/2019/08/redefining-ages-of-british-comic_15.html


If you want the quick snippet....

British super heroes and action was rife as were the humour comics so some of the 1930s Golden Agen creation spirit was still going strong. In fact, evn today I found yet another long lost and forgotten masked character of the 1940s. I think it fair to say that Dennis M. Reader and Denis Gifford (Reader in the main) created and kept the super hero alive and well during the 1940s. Other artists did contribute to the tights and capes (and bat-wings) set.

I have to also say that Mick Anglo and his creative run started while the Dark Age turned into the Silver Age; "He created Marvel Man" and that was it. Well, that is it unless you actually know something about Anglo's career drawing and writing everything from Sci Fi to Westerns, to crime stories and humour/ He may well not have been the greatest and most slick artist ever but he made up for it in what his mind created and visualised. We owe far, far more to Anglo than 99% of the supposed comic fans know.

After many years photographs of Dennis Reader (like other creators) still allude me and it would be nice to put a face to a name and set of work.

Top of the list for creator photos are

William A Ward

Dennis M Reader

The McCail brothers

Thank You

Saturday, 10 October 2026

Comic Bits 4: Covering The British Platinum, Golden, Dark and Silver Ages Of Comic Art

 


A4

80pp

colour and black and white

Perfect bound

£12.00 Until December 1st 2026 then £20.00

https://www.lulu.com/shop/terry-hooper/comic-bits-4/paperback/product-nv555mq.html?page=1&pageSize=4

Celebrating the British Platinum, Golden, Dark and Silver Ages of Comic Art and the long forgotten masters of comic book art and in this issue we look at George H Heath, Jack Greenall, Hugh Stanley White and John R Turner who are mostly forgotten. Their work from the 1930s to 1960s shaped the face of British comics.

And lost or forgotten characters? We hve those. Who remembers Dick Gordon The Bat-Man? Cyclone? Even though he was a long lasting character who remembers The Falcon? If that isn't good enough how about delving into the early 19th century and the first indisputable pop culture icon Dr Syntax. Educational and entertaining Comic Bits 4 is for the comic historianb as well as lovers of comics.

Tuesday, 6 October 2026

Done and Dusted

 


It is done. Comic Bits 4 is currently awaiting my approval after I get a proof copy and then I will give the details.

The issue will be packed with information about creators unknown these days but who were real Masters of Comic Art. But above all else Comic Bits will do what it always does; put back into printcomic strips and characters long forgotten going back to the early 20th century and in one case early 19th.

It took three days to put it all together and I was fretting over the cover to 02:30 hrs in the morning but then the cover design hit me. So all done and dusted. The magazine is a mix of black and white as well as colour and the usual 80pp.

One thing I have to say that I enjoyed which made the work quicker and easier (and fun) was getting out my reference books and notes as well as comics to provide the contents.

And... I have enough m,aterial to start on  number 5 but when that happens is open to question. 

Monday, 5 October 2026

A.C.E. ?

 

Is there any online presence of Gifford's old Association of Comic Enthusiasts?




Sunday, 4 October 2026

Think Comic Bits 4...and another British Bat character discovered!

 


 It is 00:30 hrs (come on you know the time) and I have just gotten up to page 53 of Comic Bits 4.  I really should be drawing but...

Anyway, I needed a sample comic strip by a specific  Golden-Silver Ages British artist. There is a mish -mash but not great quality. Then I found it. A full comic strip in good quality so I thought I'd pop over to the blog in question and see whether I could ask to use the blogger's scans. Only polite thing to do -though it is rare these days.

It was my blog. I have posted so much over three decades on British comics history that I tend to forget a lot!  I looked at the strip and thought "I still have those scans" and I do. That I found them is a miracle in itself!

Tomorrow I hope to complete CB 4 and then comes the hesitancy of designing a cover. Oh boy.

Incidentally, I have already gathered some of the material for CB 5.  Do it while you have the energy I say (the magazine you dirty minded....)

I forgot to say that other than long forgotten character discoveries...there is another British Bat-man type. Well there had to be hadn't there?

Saturday, 3 October 2026

Comic Bits 4

 


 In two days working until 0220 hrs (or 2.20 am) I have just gotten up to page 34 of Comic Bits 4 -feature articles on forgotten British creators and plenty of comic strips featuring characters long forgotten.

I want to cram as much into this one as I can. CB is usually 80pp but now that we've had colour since issue 3 it is a great opportunity to present strips as they first appeared. 

I will update as and when I can so stand by!

Thursday, 1 October 2026

Quick Appeal

 Does anyone have a scan of this comic. If so PLEASE get in touch hoopercomicsuk@yahoo.com

Thanks

The Reprints Future

 

Just a quick note about the GA reprints to update anyone interested.


I  am always -always- on the look out for any scans of pre-1952 UK comics.  The point is not to make money with reprints because, if I am being honest, the UK Golden Age books do not sell. 

The late Denis Gifford ran the Association of Comic Enthusiasts (ACE) and I am quite sure that a few have survived like me! I also ran Yahoo and other groups dealing with Platinum, Golden and Silver agesof UK comics -there is still a Face Book group loaded with many images. Nothing.

British Golden Age Comics blog has had 207,845 views but no sales of books from those views.

UK Golden Age Heroes and Comics 87,402 views but no books sold.

The Golden Age books are all as good a quality reprint as you can get and more than one page has taken a day to clean and make readable. This is work that has been going on for decades (that thought terrifies me!) and how much have I spent on all of this to try to preserve lost comics, characters and creators?  I think in a previous post on that subject I mentioned that I got to a  certain figure and then gave up as the total amount terrified me even more than the amount of time I spent on this.

Back in..1995 I put forward the idea of a British Comic Book Archive so that everything could be stored  at a central point and accessed for free. Thios idea came up after I had to help the family of the creator of the newspaper strip, Garth, Steve Dowling, find some samples of his work. Then the family of another long gone artist asked the same thing and it goes on and on.

Artists and writers whether the old Boys Papers (and my research proved the 'fact' that these NEVER contained comic strips because they were seen as "low art" to be wrong) , Penny Dreadfuls or comics were were always paid as little as a publisher could getr away with and some struggled to bring entertainment to  youngsters and oldsters alike. They at least deserve to be remembered and I was quite happy to find out that Louis Diamond, comics publisher and writer/artist is a relation (and, yes, he got "screwed over"by Amalgamated Press rathere like I was by its successor Fleetway years later).

Based on the percentage I get from a book sale (after printer and print on demand company) I would need to sell around 100 copies of one reprint book to get the money back I paid for one of the original albums/annuals or comics.

It is definitely a passion than for profit work!

Sadly, I chose a time when the internaet has created a new generation of illiteracy where no one wants to actual;ly read a printed book...but if it's free online well -grab it!

Discoveriung lost characters is fun and I get a kick out of it every time and from now the rediscovered items will appear only in Comic Bits -far easier than working on full lenth reprint books.

Text features, artists and writers bios -if they can be found- all blended together like a good coffee (I need a cup of coffee!) and filling 80 pages each issue. I'm so excited I may buy copies myself😂





Friday, 25 September 2026

More Discoveries

 When I wrote that I found another unlisted anywhere British hero from the British Golden Age. It was pointed out to me by someone who reads Comics Bits magazine that in the last two or more years I have found a couple dozen characters that are forgotten.

The British Golden Age reprint books do not sell -it is really a work of love (and finance draining) and so I decided that what I will do is publish the strips of these characters in Comic Bits although how many issues I publish depends. People who read it tell me they learn something new and love it but, again, sales are very poor which I did not expect since I run blogs and Face Book pages with a lot of members who are Golden Age fans (I am told).

We'll see if I can get an issue out by Christmas so keep checking back!

Thursday, 24 September 2026

Thank You for the Comments and a quick update!

 Sorry for delay in replying to Comments but Blogger never told me there were any and after all these years I never expect any!

THANK YOU for commenting.

As for me....I did it again.  Yup, quite by chance I found another previously unlisted British super hero from the 1940s -as outlined in Comic Bits 3 I keep finding these characters and mainly when I am not looking so, from now on, I will NOT be looking for old British characters (I may be lying there).

More news later.

________________________________________________________________


A4

Colour/BW

80pp

£10.00 UK

https://www.lulu.com/shop/terry-hooper/comic-bits-no-3-2026/paperback/product-q6wqden.html?page=1&pageSize=4

Comic Bits is the only journal dealing with the Platinum, Golden, Dark and Silver Ages of British comics and the creators involved.

This edition looks at the number of British "Bat men" -characters lost to time. The Bat by William McCail stars in his only ever appearance

We take a look at Tom Browne and Oliver Veal recognised as creators of what became the "British style" for over 100 years.

Prolific creator Terry Bave and his wife Sheila give us a glimpse of working in Silver age weekly comics.

Then there three rarities: the first is the origin of T.N.T. Tom a true star of Swan comics. Secondly we have the other star of Swan in Dene Vernon -Ghost Investigator. His very first pouting from 1940.

Third...well, a massive shock was the discovery of a super heroine not mentioned in any sources and this one off appearance drawn by E. H. Banger (we look at his career in this issue as well) -after 60 years Wanda the Wonder Girl is revealed!

Comic strips from some of the greats of British comics add extra zing to this issue.


Thursday, 23 July 2026

A. Soloway All Star Comic volume 5 -anyone have scans or copies?

  Now I know that over the many years I ask and ask and ask and to date have never received any type of response....I am an eternal optimist (without the ternal aspect).

I amn looking for scans of A Soloway's All Star Comic from vol. 5 no. 1 onward. After years of searching online I have given up. 

So make an old man happy. If you have scans let me know at  hoopercomicsuk@yahoo.com

Thank You

Saturday, 18 July 2026

Ah Wong

 Still a classic strip though it could send the PC crowd into seizures. But this is comic book history.







The Black Rider Returns!



































The Atomic Age Comic

 


Does anyone have any scans or can scan The Atomic Age Comic?  What scans I have are pages...well...NOT scans. The pages were photographed back in the old Yahopo group days.

If anyone can help:hoopert1957@gmail.com

Tuesday, 19 May 2026

The Ultimate British Golden Age Comics Collection

 



A4
Paperback
B&W
405 pages
Price: £25.00 (excl. VAT)Prints in 3-5 business days

Combining volumes 1-6 (still available as individual issues but that works out far more expensive) of the BT Golden Age British Comics Collections (minus adverts) this is the ultimate for any Golden Age collector or historian or just plain comic lover.

Features....
Ace Hart
TNT Tom
Electrogirl 
Wonderman 
The Phantom Raider
Captain Comet 
Acro Maid
Phantom Maid
Dene Vernon
The Iron Boy
The Boy Fish
Professor Atom
The Tornado
Powerman
Wonder Boy
Slicksure
Masterman 
Dane Jerrus
Alfie
Tiny Tod
Maxwell The Mighty 
Back From The Dead
Zeno At The Earth's Core
Colonel Mastiff
Ally Sloper
Super Injun
Super Porker  (oo-er, no, Madam, ooh),
Tiger Man
King Of The Clouds
Captain Comet 

and MANY others!

Plus text features defining The Ages OF British Comics (Platignum, Gold, Silver), the artist William A. Ward and more.

If you knew nothing about British comics of the Platinum, Golden and Silver Ages then once you buy and read this book you'll be a goddam omic intellectual dinosaur! Yipes!

All in that beautiful Iron Warrior cover exclusively drawn for Black Tower by that meta-gargantuoso talented Ben R. Dilworth!

I sold my family to be able to get this book out! Help me buy them back by purchasing your very own 

Tuesday, 28 April 2026

The Skeleton Crew, or, Wildfire Ned



Author(s) remained anonymous as content could be violent, sexual or otherwise publicly offensive! And on occasions several people wrote these chapters. A gentleman would never want his name associated with such material (that earned him money). As for the engraver-artists..many are simply anonymous and were happy for paying work! Wildfire Ned and The Shadow of Death are not the same character

This is one heck of a thick book and, again, you need to be able to read in the style of the time which can be very wordy to modern readers. Of course, when I turned the character into one suitable for comics (The Master Plan of Lord Sebastian Perish in Adventure 53 on) it was far more readable!  There are incidentally over 550 pages so it's kinda epic!

This synopsis from Google books sums it all up:

"Venture into the shadowy world of Victorian London with "The Skeleton Crew, or, Wildfire Ned," a classic penny dreadful ripped from the pages of history. This gripping tale, steeped in gothic horror and laced with mystery, exemplifies the thrilling and sensational storytelling that captivated readers of the era. Originally published anonymously, this rediscovered gem of historical fiction plunges into the darkest corners of society, offering a glimpse into a world of intrigue and suspense.

"The Skeleton Crew" embodies the spirit of the penny dreadful, a genre renowned for its suspenseful plots, eerie atmosphere, and unforgettable characters. Carefully prepared for print republication, this edition allows you to experience the raw, unfiltered excitement that defined Victorian popular literature. Perfect for fans of gothic horror, historical mysteries, and anyone seeking a thrilling escape into the past. Discover the enduring appeal of this historical artifact, a chilling testament to the power of suspenseful storytelling.

"This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it."

If you have a love of comics, graphic novels or horror in general you really have to learn more about The Monk, Melmosth the Wanderer and The Skeleton Horseman/Skeleton Crew. It is part of what we would call pop culture history.






The Monk:A Romance -Readers were shocked by its sexually explicit content

The Monk: A Romance is a Gothic novel by Matthew Lewis. It was over 10 years ago that I read it for the second time (I really like to punish myself!) and I started to write a synopsis of the story and realised I was missing gaps all the time.
Matthew Gregory Lewis, detail of an oil painting by H.W. Pickersgill; in the National Portrait Gallery, London.


And then...Wikipedia. Someone -and full credit goes to him/her- did an excellent synopsis https://en.wikipedia.org/wiki/The_Monk and so I present what can be considered one of the influences on later story paper and comic set (strips) influencers.


The Monk: A Romance is a Gothic novel by Matthew Gregory Lewis, published in 1796 across three volumes. Written early in Lewis's career, it was published anonymously when he was 20. It tells the story of a virtuous Catholic monk who gives in to his violent and lustful urges, setting off a chain of events that leave him damned. It is a prime example of the type of Gothic that specializes in horror.

Upon publication, the novel proved scandalous. Readers were shocked by its sexually explicit content, and themes of rape and incest, leading it to become arguably the most controversial Gothic novel of the 18th century. Amidst a public outcry, the novel became hugely popular. Over time, Lewis came to feel that its writing had been in poor taste. Later editions were heavily censored by the author himself.

The Monk is considered part of the gothic literary canon, a forerunner to the popular Gothic novels of the 19th century, and an influence on the modern horror genre. It has been adapted or significantly inspired a number of plays, films, and writings.



Ambrosio was left at an abbey in Madrid as an infant and is now a famously celebrated monk. A beautiful and virtuous young woman, Antonia, goes to hear one of his sermons, and meets Lorenzo, who falls in love with her.

Ambrosio's closest friend among the monks, Rosario, reveals that he is a woman named Matilda, who disguised herself to be near Ambrosio. While picking a rose for her, Ambrosio is bitten by a serpent and falls deathly ill. Matilda nurses him. When he recovers, Matilda reveals that she sucked the poison from Ambrosio's wound and is now dying herself. At the point of her death, Matilda begs him to make love to her, and he agrees reluctantly. After having sex with Ambrosio, Matilda performs a ritual in the cemetery which cures her of the poison. She and Ambrosio continue to be secret lovers, but Ambrosio grows tired of her.

Ambrosio meets Antonia and is immediately attracted to her. He begins visiting Antonia's mother regularly, hoping to seduce Antonia. In the meantime, Lorenzo has secured his family's blessing for his marriage with Antonia. Matilda tells Ambrosio she can help him gain Antonia's charms, the same way she was healed of the poison: witchcraft. Ambrosio is initially horrified, but agrees. Matilda and Ambrosio return to the cemetery, where Matilda calls upon Lucifer, who appears young and handsome. He gives Matilda a magic myrtle bough, which will allow Ambrosio to open any door, as well as rape Antonia without her knowing. Ambrosio uses the magic bough to enter Antonia's bedroom. He is on the point of raping her when Antonia's mother arrives and confronts him. In panic, Ambrosio murders her and returns to the abbey, unsatisfied in his lust and horrified that he has now become a murderer.

Antonia, grief-stricken, sees her mother's ghost. She faints and Ambrosio is called to help. Matilda helps Ambrosio acquire a concoction that will put Antonia in a deathlike coma. While attending to Antonia, Ambrosio administers the poison, and Antonia appears to die. He takes Antonia to the crypt beneath the convent, where she awakens from her drugged sleep and Ambrosio rapes her. Afterward, he is as disgusted with Antonia as he was with Matilda, who arrives to warn him that the convent is burning down due to a riot (caused by the events of Raymond and Agnes's story). Antonia attempts to escape, and Ambrosio kills her.

Ambrosio and Matilda are brought before the Inquisition. Matilda confesses her guilt and is sentenced to death. Before she is executed, she sells her soul to the devil in exchange for her freedom and her life. Ambrosio insists upon his innocence and is tortured. He is visited by Matilda, who tells him to yield his soul to Satan. Ambrosio again proclaims his innocence, but when faced with torture, he admits to his sins of rape, murder, and sorcery and is condemned to burn. In despair, Ambrosio asks Lucifer to save his life, who tells him it will be at the cost of his soul. Ambrosio is reluctant to give up the hope of God's forgiveness, but Lucifer tells him that there is none. After much resistance, Ambrosio signs the contract. Lucifer transports him from his cell to the wilderness. Lucifer informs him that Antonia's mother, whom he murdered, was also his mother, making Antonia his sister, adding to his crimes the sin of incest. Ambrosio then learns that he accepted Lucifer's deal only moments before he was to be pardoned. Lucifer reveals that it has long been his plan to gain Ambrosio's soul, as he could see that Ambrosio was "virtuous from vanity, not principle." He also reveals that Matilda was a demon helping him. Finally, Lucifer points out the loophole in their deal: Ambrosio only asked to get out of his cell, and Lucifer did not agree not to harm him afterwards. Lucifer carries him into the sky and drops Ambrosio to his death, triumphant that Ambrosio's soul will now be damned for eternity.


Lorenzo's sister, Agnes, is a nun at the nearby abbey who is romantically involved with Raymond, son of a Marquis. Ambrosio hears the confession of the nuns at Agnes's convent. When Agnes confesses that she is pregnant with Raymond's child, Ambrosio turns her over to the Prioress of her abbey for punishment.

Lorenzo confronts Raymond about his relationship with his sister Agnes. Raymond tells their long history. Raymond was travelling in Germany when he was nearly killed by bandits. He avoided being killed, and rescued a Baroness who was also travelling. Visiting the Baroness afterward, Raymond fell in love with her niece Agnes. However, the Baroness was in love with Raymond; when he refused her advances, she made arrangements to send Agnes to a convent. Raymond and Agnes made plans to elope before Agnes left her aunt's castle for the convent. Agnes planned to dress as the Bleeding Nun, a ghost who haunted the castle and exited its gates at midnight. Raymond accidentally eloped with the real ghost of the real Bleeding Nun. Exorcising the ghost of the Bleeding Nun required assistance from the Wandering Jew. When Raymond was free, he found Agnes in the convent. There he seduced Agnes. When she discovered that she was pregnant, she begged him to help her escape.

When Raymond finishes his story, Lorenzo agrees to help him elope with Agnes. He acquires a papal bull releasing Agnes from her vows as a nun so that she may marry Raymond. However, when he shows it to the Prioress, she tells Lorenzo that Agnes died several days before. Lorenzo does not believe it, but after two months, there is no other word concerning Agnes. Eventually, to try to find Agnes, Raymond's servant disguises himself as a beggar and goes to the convent, where Mother St. Ursula sneaks him a note that tells Raymond to have the cardinal arrest the Prioress for Agnes's murder.

During a procession honouring Saint Clare, the Prioress is arrested. Mother St. Ursula publicly describes Agnes's death at the hand of the sisters. When the procession crowd hears that the Prioress is a murderer, they turn into a rioting mob. They kill the Prioress, attack other nuns, and set the convent on fire. In the confusion, Lorenzo finds a group of nuns and a young woman named Virginia hiding in the crypt. Lorenzo discovers a passage leading down into a dungeon, where he finds Agnes, alive and holding the dead body of the baby she had given birth to while abandoned in the dungeon. With Virginia's help, Lorenzo rescues Agnes and the other nuns from the crypt.

Virginia visits Lorenzo as he is recovering from his grief and the two become closer. Agnes tells the story of her miserable experience in the dungeon. Agnes and Raymond are married, and the couple leaves Madrid for Raymond's castle, accompanied by Lorenzo and Virginia, who are also eventually married.

----fin---

Reading the book itself in the 21st century it all seems rather tame and I am surprised no film studio or TV network has grabbed the work to "spice it up" to, as they keep saying, "make it understandable to a modern audience" (ie: sex scenes and lots of obscene language).

I really wish I knew what I did with the first 20-30 pages of a graphic novel script I did in...1998. 






Sunday, 26 April 2026

Melmoth the Wanderer

1819 engraved portrait of Maturin -from a Russian edition of the work

 
Melmoth the Wanderer, by Charles Robert Maturin (1770-1824), published in 1820 and considered the last of the classic English gothic romances.  Maturin was a Irish playwright, novelist and clergyman born and died in Dublin (then Ireland now Eire) and the book appears to have been, if biographers are correct, written in haste to meet a deadline from a publisher.

The novel offers social commentary on early 19th-century England, which would have  raised some eye-brows at the time,  It also and denounces Roman Catholicism in favour of the virtues of Protestantism which would be expected at that time thanks to religious intolerance.

The story, a complex weaving of tales-within-tales, is set in the early 19th century, when John Melmoth learns the fate of his ancestor, the title character, by reading a secret document and through his contact with a Spanish sailor.

When this is listed anywhere online it is obvious that the person  behind the post has not read the book itself but has "borrowed" the whole thing from someone else who has not read the book.

It chronicles the adventures of a man who sells his soul in exchange for prolonged life.  There is an excellent synopsis on Wikipedia:

John Melmoth, a student in Dublin, visits his dying uncle. He finds a portrait of a mysterious ancestor called "Melmoth"; the portrait is dated 1646. At his uncle's funeral, John is told an old family story about a stranger called Stanton, who arrived looking for "Melmoth the Traveller" decades earlier.

A manuscript left by Stanton describes his first finding Melmoth laughing at the sight of two lovers who have been struck by lightning, and hearing of a wedding at which Melmoth was an uninvited guest: the bride died and the bridegroom went mad. Stanton's search for Melmoth is deemed to be madness and he is sent to a madhouse. Melmoth visits him there, and offers to free him, but Stanton refuses and escapes.

Following his uncle's wish, John burns the Melmoth portrait. He is visited by Melmoth in a dream, and later sees Melmoth laughing at a shipwreck. John tries to approach him, but slips and falls into the sea. He is saved from drowning by the sole survivor of the wreck, a Spaniard named Alonzo Monçada.

Alonzo Monçada tells his story (The Tale of the Spaniard), in which his family confines him to a monastery. He is mistreated by the monks, and his brother Juan arranges for him to escape with the help of a fellow monk, a parricide *the killing of a parent or close relative -TH). The escape plan is a trap and Juan is killed. Monçada is taken to the prison of the Inquisition. There he is visited in his cell by Melmoth, who says he will help him escape. A fire breaks out, and in the confusion Monçada escapes. He meets a venerable Jewish scholar, Adonijah, who lives in a secret chamber decorated with the skeletons of his own family. In exchange for food and shelter, Adonijah compels Monçada to transcribe a manuscript for him: the Tale of the Indians.

Isidora's father encounters a stranger at an inn who tells him the Tale of Guzman's Family. Guzman is a wealthy Spanish merchant whose sister marries a poor German musician, Walberg. Guzman decides to make Walberg's family his heirs, but his will leaves everything to the church, and the family sinks into poverty; almost insane, Walberg decides to end their poverty by killing them all – but before he does so news arrives that the true will has been found and the family is saved. By this point in the story, Isidora's father has fallen asleep, and wakes to find the stranger at the inn replaced by Melmoth.

Melmoth tells him the Lovers' Tale, about a young woman in Yorkshire named Elinor, who is jilted at the altar and is subsequently tempted by Melmoth, but refuses his help.




The Tale of the Indians resumes: Isidora returns to her family, but she is pregnant with Melmoth's child. She has a presentiment that she will not live, and gets Melmoth to promise that the child will be raised as a Christian. Isidora's father finds a husband for her, but in the middle of the wedding celebrations, Melmoth tries to abduct Isidora. Her brother tries to intervene, and Melmoth kills him. Isidora falls senseless and Melmoth escapes. Isidora reveals that she is already married, to Melmoth. She gives birth, but she and her baby daughter are imprisoned by the Inquisition. The inquisitors threaten to take away the child, but find that it is already dead. Isidora, dying of grief, remembers her island paradise, and asks if "he" will be in the heavenly paradise.

Monçada and John are interrupted by the appearance of Melmoth himself. He confesses to them his purpose on Earth, that his extended life is almost over, and that he has never been successful in tempting another into damnation: "I have traversed the world in the search, and no one to gain that world, would lose his own soul!" Melmoth has a dream of his own damnation, and of the salvation of Stanton, Walberg, Elinor, Isidora and Monçada. He asks John and Monçada to leave him alone for his last few hours of mortal existence. They hear terrible sounds from the room, but when they enter, the room is empty. They follow Melmoth's tracks to the top of a cliff, and see his handkerchief on a crag below them. "Exchanging looks of silent and unutterable horror", they return home.





The story is complex, yes; but it is written in a style that so many people find difficult to read but, if like me, you are an archivist and your other avenues of work include reading works from pre 20th century sources...you'll do fine!.  When I finished reading the book it left me thinking that this was an "open ending" -the reader had to decide whether Melmoth was dead or..... but that might just be me (it usually is).

I once tried to synopsize the story and it is very difficult but it would make a great graphic novel!

Thursday, 16 April 2026

Tornado Meets The Sea Beast!

I know what you are thinking: "Are there pages missing?"

Nope. Artists were told to provide a full story in 4 pages then they produced 4 page stories. I think the idea was that there was enough to give a kid's imagination a push.